“I also feel like many people who do experimental art (not just poets, but across the board) have such a disdain for what they see as more “traditional” artists … and it shouldn’t be that way. I mean, I like all sorts of stuff, the “traditional” and the way-out-there.  I like writing that makes me think, whether it rhymes, or is fashioned out of syllables and sounds, or it revolves around an “I” speaker. Do I have to choose sides?”